Author Archives: olivercraner

Vogue and Cruelty

Review of In Vogue: The 90s (Disney+) Fashion is hard. The world of clothes and beauty is saturated with pain, exploitation and cruelty. The paradox is that this is precisely part of its appeal. It is why fashion repeatedly returns … Continue reading →

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‘A Swarm of Ghosts’: Anna Akhmatova’s Russia

 I: Revolution and Counter-Memory There is no present — I am proud of the past And I suffocate from such shame. Reading Anna Akhmatova’s first two collections of verse, it can be difficult to recognise the poet who would later … Continue reading →

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Michael Powell and the National Myth

1980: Exile  Michael Powell began writing his autobiography A Life in Movies during a period of professional exile from England — in 1980, while teaching film students at Dartmouth College in New Hampshire. “I love England,” he wrote:  I have … Continue reading →

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Saddam and his Enemies

Review of Samuel Helfont, Iraq Against the World: Saddam, America, and the Post-Cold War Order (Oxford University Press, 2023)  On the morning of February 13, 1991, two U.S. Air Force GBU-27 smart bombs demolished ‘Public Shelter No. 25’ in the … Continue reading →

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Italy Needs Me: The Life and Death of Silvio Berlusconi

The life of Silvio Berlusconi had one great theme: man’s battle with time. Vigorous daily exercise routines and public jogging sessions; an obsession with personal hygiene driven by a deep phobia of germs; an epic struggle against hair loss that … Continue reading →

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‘Time Reigns’: Vernon Watkins and Wales

I: ‘Welshness’ and Poetic Identity Vernon Watkins did not measure success in terms of book sales or critical acclaim. He was not indifferent to literary trends or the demands of the book trade, but maintained an uncompromising, if polite, disdain … Continue reading →

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Archives of Pain: Kanan Makiya and the Politics of Iraq

That’s the hope I still have for Iraq — that it can rediscover its destiny as a richly various and pluralistic society, a meeting ground of all sorts of creeds and groupings. That’s the hope that sustains me. Kanan Makiya, … Continue reading →

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Roman Tragedy: Lucio Fulci’s ‘Beatrice Cenci’

Guido Reni’s portrait of Beatrice Cenci retains pride of place at the Galleria Nazionale d’Arte Antica in Palazzo Barberini, just off Piazza Barberini in Rome. The old story that it was completed by Reni on the eve of Beatrice’s execution … Continue reading →

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On the Legacy of George L. Mosse

Past history is always contemporary. George L. Mosse, The Nationalisation of the Masses In Confronting History, his posthumously published memoir, George L. Mosse recalled the occupation of Mossehaus, the headquarters of Rudolf Mosse’s German publishing empire, during the Spartacist Uprising … Continue reading →

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Slaughter Commissions: Crime Films and the Italian Crisis

Review of the Arrow Films box set Years of Lead: Five Classic Italian Crime Thrillers, 1973-1977 (Mario Imperoli, Like Rabid Dogs; Vittorio Salerno, Savage Three; Massimo Dallamano, Colt 38 Special Squad; Stelvio Massi, Highway Racer; Vittorio Salerno, No, the Case … Continue reading →

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